Despite her own skepticism, Dr. Bouchard claims she observed an improvement in the woman’s condition after the exorcism. The real reason for the decline, she points out, is the woman’s new psychiatrist, who prescribed her a medication with dangerous side-effects and a controversial therapeutic method that puts patients through “their own personal hell”, irony absolutely intended.  The scene captures everything Evil does best, suggesting that although exorcisms are scientifically unproven, sometimes the treatment that works can’t be explained by science. 

Evil handles real-world biases between psychology and religion with respect, and takes an honest approach to difficult moral questions not often seen on television. The friendship between a believer who became an atheist and an addict who joined the church in search of stability allows for a sincere discourse on the ethics of exorcisms, the hypocritical nature of miracles, the importance of empathy, and the value of having faith–whether it’s in a higher power, your family, or science. 

While there are a few shortcomings and reveals that feel disappointing (bespoke demon babies?), the writing, acting, and costuming are the perfect balance of hilarious and terrifying. Creepy, bizarre, and chuckle-worthy, Evil provides a much-needed subversion of old tropes and a cast of compelling main and side characters who are as relatable as they are ridiculous. If you’re like me, you’ll find yourself shouting “what is this show??” after every episode, and quickly selecting the “play next” option. 

Season 2 should be a wild ride, especially with the should-have-seen-it-coming twist at the end of episode 13 (if you’ve seen it, you know the one). While the original date has been delayed, rumor has it the next installment of this sinfully good series will premiere sometime this year, on CBS.