Weighty Concepts and Themes 

Sangho explores quite a few weighty concepts in this film. He touches on groupthink, self-autonomy, power structures, religious fanaticism, agendas, spirituality, and the supernatural. And he doesn’t hesitate to turn up the heat, raising a series of tough questions requiring self-examination.

One may find themselves examining how far they would go to maintain rationality and reserve calm in the face of inexplicable and terrifying horror? Or they may question at what point rationality crosses over into irrationality? And is it acceptable to reframe a narrative to restore normalcy? 

A Few Weaknesses Aren’t Bad

The film is relatively strong. But, at times, it does come off as preachy. However, trying to deliver a larger message while telling an entertaining story is not always easy. If not careful, the story becomes too heavy, and there is a tendency to shift focus.

This film struggles in this area. Viewers become lost in trying to understand the exact point of the film. Somewhere in the middle, there is a significant shift. The story drifts and emphasizes social complexities that arise in the wake of supernatural events. The Hellhounds surrender center stage to two entities at war, putting exploitation at the center. And Power and influence segue to madness.

Last Words 

Hellbound is a blatantly brutal flick. Sangho’s beings are undoubtedly unforgiving. Without a doubt, the film is merciless and difficult to watch at times. But it is entertaining. Squid Games (2021) it is not, and comparatively, it is very different. But Hellbound is deserving of a watch and maybe even a second viewing.