Madness Warrants a Method Jesse Eisenberg’s third directorial effort, The Debut, opened the Virginia Film Festival. The film serves as a love letter to those who participate in community theater and have an affinity for… Read More »‘The Debut’ (2026): A Review
An Unconventional Family Affair Jordan Firstman’s directorial debut, Club Kid, screened at The Philadelphia Film Festival. The film follows a washed-up club promoter named Peter, who is forced to grow up when he learns he… Read More »‘Club Kid’ (2026): A Review
A Response to Chaos Digger is Alejandro G. Iñárritu’s eighth directorial project, following an oil tycoon named Digger Rockwell. Digger Rockwell is, above all things, the most powerful person in the world. Though seen as… Read More »‘Digger’ (2026): A Review
The Mesozoic Era meets Family Dysfunction David Robert Mitchell’s The End of Oak Street offers an original take on a creature feature set in the Mesozoic Era. The film follows a suburban family in the… Read More »‘The End of Oak Street’ (2026): A Review
One Night with an Apocalypse of Feelings The Invite marks Olivia Wilde’s third directorial debut and, artistically, her most focused film to date. The Invite features a couple, Joe (Seth Rogen) and Angela (Olivia Wilde),… Read More »‘The Invite’ (2026): A Review
The Ultimate Prophetic Journey Hits Home Christopher Nolan takes on Homer’s ancient Greek poem, The Odyssey. The film follows Odysseus, the king of Ithaca, as he undergoes a 10-year journey whilst winning the Trojan War.… Read More »‘The Odyssey’ (2026): A Review
There are Three Sides to Every Story Overnight, Obsession has become not only a modern-day horror classic but also a phenomenon. The buzz and its success have moved the needle seamlessly, offering retrospective outlooks for… Read More »The Unspoken Reality of ‘Obsession’
30 Years Later, and Playtime is Still Fun After five films, Toy Story still reigns supreme as a franchise. This time, the toys are adjusting to the new world around them as kids are becoming… Read More »‘Toy Story 5’ (2026): A Review
A Picture Is Worth A Thousand Words Dead of Winter has many layers; it shows how something that may seem so dark can have another angle that gives it an entirely different meaning. This film… Read More »‘Dead Of Winter’ (2025): A Review
A Fashion Forward Surrealist Absurdity I Love Boosters is Boots Riley’s second directorial following the absurdist 2018 film Sorry to Bother You. I Love Boosters follows an all-star cast as they embark on a heist… Read More »‘I Love Boosters’ (2026): A Review
