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Home > Dead Talk Tales: Volume 1 (2024): A Review

Dead Talk Tales: Volume 1 (2024): A Review

Dead Talk Tales: Volume 1 (2024) Official Final Trailer

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Dead Talk Tales: Volume 1 is a 2024 film directed by John Vizaniaris, and produced by both him, and Efrain Rodriguez of Dead Talk Media. It’s a film like no other, in that there are 9 tales, each individually distinct from each other. Each tale has a savory, juicy moment, just before everything collapses into jaw chilling moments.

SHHH!, Don’t Wake It Up

In the beginning scenes, things may seem a little quiet, and maybe even a little average, but then there’s always something that isn’t quite right. The voices begin to whisper and the blood begins to spill. The scary elements/figures that appear in the dark begin to peak around corners. All that can be seen are glimpses of what looks like a shadow, so a quick peek can’t hurt too much. As the tales go on they get more and more dark, more and more gross, and more and more tantalizing. The poor innocent victims, unaware of what awaits them on the other side of the rainbow. Some, always twisting and turning their heads for very real dangers, while others bask in their ignorance. 

The Dead Talk Tales: Volume 1 is a world of tales where dreams become nightmares, and nightmares become reality. Scary stories with monsters and demons are just the tip of the iceberg. The only people there to help may not be who they once were. It only takes just one second for the fever to set in, while the darkness begins to poison the soul. The beast could be anywhere – and anyone. All of a sudden, the story changes and a whole new set of events begins to take place and a new tale is told. These are scary stories. They shouldn’t be seen before bed, and definitely without adult supervision. If precautions aren’t taken, when the night falls the whispers will call. Keep the lights on.

Don’t Turn Around, They’re Right There

Each segment has different characters, – that’s part of what makes this anthology film so unique. Each ending can create a trail of myths and theories that come with this uncertain future. “Tsunami”, featuring Kelsey Cooke as Ruby, has one of those uncertain endings. It’s heartbreaking when the truth can be so clear and yet so unsure. Sometimes people with badges can get away with the craziest things. The last, and greatest of all segments is called “The Relic”, featuring Johnny Wactor as Marcus, Stephanie Einstein as Sadie, and Megan Le as Kayla. The scene begins at night, where there’s freezing temperatures and no one to be found. They quickly learn that some warnings are not meant to be ignored because the consequences far outweigh the cost. It’s interesting to see how the story unfolds and how people react when their lives are on the line. It can be completely acceptable to leave someone behind, so long as the ends justify the means it’s okay.

There are two segments that can make viewers wonder about strange things, things like time, space, sacrifice, and perhaps psychotic behavior. “Grave Shivers” by Brent Sims, and “Bliss” by Dwight Mathis are the stories that really twist minds and stretch them beyond their normal capacity. There’s an unevenness, unsteadiness, and uncertain feeling that drifts from moment to moment, scene to scene. It’s the feeling that comes when someone is watching, waiting, and lurking. Some things out there really do exist because these horrifying tales had to come from somewhere.

Turn Out The Light

The cinematography (Stefano Di Stasio) for the first segment “Stuck” was done beautifully. The lights were what created the essence of the scene. They created a feeling of estranged familiarity. The situation creates a perfect concoction for madness. While some elements create curiosity, others create fear and it’s a dangerous thing for the two to be mixed. The “Final Gasp” segment cinematographer David E. Teixeira created a similar effect. In this story, it was all about the ambiance. The mood, the feeling, and the emotions that waft through the house were almost enigmatic. As the piano created its melody an echo was heard, then another, then another. It couldn’t be true though, because why would it be. No one is in the house, or maybe it’s just a friend.

The “Nightcap” cinematography by Michael J Weldon is simple, but elegant. It’s just a typical Tuesday night at the house while the parents read to their children. Only in a child’s wildest dreams do those stories ever come true, and on an average night there’s usually only toys underneath the beds. The story and the lighting together brought the monsters out of the closets and before their very eyes. Some of the worst monsters are the ones who would never hurt a fly. There’s no real moderation, but only the worst extremes. In the Nightcap segment things are quiet, things are good – and then they’re not. In each tale, there’s a different set of music and each touch sends a chill, but also invites them into the universe of madness.

They Live

Dead Talk Tales: Volume 1, is chilling, tantalizing, and one for the ages – and it’s just the beginning of what’s to come. It’s a ride like no other with stories just as dark as their apparent endings. It is an anthology, but more than that, are the people who created such unique and thrilling stories. It is a film of epic proportions.

Source: Dead Talk Live

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Source: Dead Talk Live

Contact Information:

Email: news@deadtalknews.com

Phone: +1 (650) 308-4023

Dead Talk Live is simultaneously streamed to YouTubeInstagramFacebookTwitch, and Twitter daily at 9:30 PM Eastern U.S. Time.

Shop official Dead Talk Live Merchandise at our Online Store

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Hi! I am a Dramatic Writing and Performing Arts major at SCAD from Puerto Rico. I have an intense passion for all things film, tv, and music. I believe everyone has a story to tell, and putting it out there is the most important.