Horizon: An American Saga (2024) Official Warner Bros. Pictures Trailer
How the Summer Movie Season Was Saved
The four months between May and August have always been the most profitable time of the year for movies, followed closely by the holiday season of November and December. With the combination of schools closed for the summer and people usually taking vacations, summer has been a prime time for movies and usually leads to some of the year’s biggest and most anticipated films. Almost every studio takes the time to release one or several of their headliners in the hopes of having a hit on their hands. However, from the start of 2024, the box office has been on shaky soil and several high-profile movies have flopped or were disappointments. This carried over into the start of the summer movie season, where numerous films struggled to gain traction. However, the tail end of the summer began to see a shift as several movies saw success, calling into question how things were able to turn around for the better.
The Year of Struggle
Before May, studios already saw trouble, as potential box office hits weren’t connecting with audiences. For example, Madame Web cost $100 million and went on to gross $100.3 million world-wide. Ghostbusters: Frozen Empire had a budget of $100 million, only to earn $202 million. Even Abigail, with a modest budget of $28 million, only grossed $42.4 million. For a while, Dune: Part Two stayed as the highest grossing film, earning $711.8 million at the box office against a $190 million budget.
Dune: Part Two released on March 1, and one would imagine that the director would be proud to hold the top earning spot. This didn’t turn out to be the case, as director Denis Villeneuve was actually upset to see his film remain at the top for so long. After receiving the Academy Icon Award at the 2024 Canadian Screen Awards, Villeneuve expressed his view on the year’s box office.
“I think we need movies that are theatrical experiences, that will fully embrace the power of the theater, and I’m not just talking about Dune 2. Of course I’m talking about many movies,” Villeneuve told reporters. “A movie like Civil War, for instance, is a strong example of a movie that absolutely used the power of the theater.”
Villeneuve went on to share his disappointment with other films not finding similar success. “I was lucky that [Dune] Part Two did reach the audience, I wish it would happen more often, honestly,” Villeneuve explained. “I’m disappointed to still be number one… I hope soon that there will be other successes at the box office. I hope, sooner or later, that this summer box office will be much better.”
The Falling Box Office
Kicking off the summer movie season was the Ryan Gosling led film The Fall Guy. What easily could have been a mediacore action romcom became one of the highlights of the year, earning an 82% critic rating and 86% audience rating on Rotten Tomatoes. Despite how good the film was, it underperformed at the box office, grossing $178 million on a $150 million budget. The underwhelming box office results continued the falling weeks with Kingdom of the Planet of the Apes and IF.
The death plow eventually came over the Memorial Day weekend with Furiosa: A Mad Max Saga. What was expected to be a hit turned into a box office bomb, with a budget of $233 million and only grossing $172 million. Memorial Day weekend tends to be a valuable weekend for movies, due to it being a three-day weekend, coinciding with the end of school and serving as what many consider to be the true launch of summer. However, the 2024 Memorial Day weekend became the lowest-grossing holiday weekend since 1995. More films continued to flop or disappoint, such as The Watchers, Horizon: An American Saga – Chapter 1, The Bikeriders, and Fly Me To The Moon.
A bit of hope began to be sprinkled throughout the month of June from a few notable hits, such as Bad Boys: Ride or Die, A Quiet Place: Day One, and the mega hit of the year thus far, Inside Out 2. Finally, after a rough launch to the summer, hits began to flood theaters. Despicable Me 4, Longlegs, Twisters, and Deadpool & Wolverine all showed audiences were hungry to go to the theater; they were just waiting for the right movies. A film like Longlegs, a low-budget horror thriller from the more artistic film studio NEON, over-performed and has currently earned $93 million, becoming a personal best for the studio and helping disprove the idea that audiences weren’t interested in going to a theater. However, the sudden rise in hits questioned why audiences were finally heading to the movies.
The Audience Appeal
Lee Chung, director of Twisters, began making headlines around the release of his hit film on why the movie was connecting with audiences. One of the main reasons involved avoiding pushing a message.
“I just wanted to make sure that with this movie, we don’t ever feel like it is putting forward any message,” Chung explained. “I just don’t feel like films are meant to be message-oriented.”
In recent years, it’s become a common complaint from audiences who simply want to watch movies for escapism and not feel as if they’re being fed a sermon. Twisters, Inside Out 2, and Deadpool & Wolverine have provided viewers with that form of entertainment. That’s not to say the movies that kicked off the summer pushed messages and narratives, as a great deal of them were entertaining popcorn flicks, but it’s likely audiences needed to be warmed up before taking chances on movies again. After a slew of popular franchises and blockbusters in recent years burning viewers out and facing criticism for being “message oriented,” it seems it took a while for audiences to trust certain studios again.
At the center of controversy in recent years has been Disney, whom audiences have criticized for infusing “political and social” messaging in their films. Disney CEO Bob Iger made headlines last fall when he spoke about the current state of the company.
“Creators lost sight of what their No. 1 objective needed to be,” Iger told an audience at the DealBook Summit back in November. “We have to entertain first. It’s not about messages.”
Inside Out 2 and Deadpool & Wolverine seem like early signs of this course correction, with other studios seemingly doing the same. Marvel Studios has experienced dismal numbers, with last year’s The Marvels hitting an all time low for the studio. Pixar as well has faced condemnation with movies such as Lightyear and Elemental. Conditioning viewers year after year that movies have become soap boxes for creators has led to moviegoers skipping out, at least until movies changed. It now seems the industry is in the throes of a course correction.
While there haven’t been many movies this year slapped with the label of being too “political,” the releases of the last few years have disappointed viewers enough to harden the hearts of moviegoers. As Hollywood continues down this course correction of not dividing audiences, it shows that they’re willing to give the people what they want. Maybe a few good films early in the summer needed to sink so others could swim.
Deadpool & Wolverine is currently playing in theaters.
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Author
Mason Kupiainen is a recent Butler University graduate with a degree in Creative Media and Entertainment. His work has been published in Butler Collegiate, The Mall, and Byte BSU. Along with written work, he has a videography portfolio with Indy Blue Video, Byte BSU, and Ball Bearings. |
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Mason C. Kupiainenhttps://deadtalknews.com/author/mason-c-kupiainen/
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Mason C. Kupiainenhttps://deadtalknews.com/author/mason-c-kupiainen/
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Mason C. Kupiainenhttps://deadtalknews.com/author/mason-c-kupiainen/
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Mason C. Kupiainenhttps://deadtalknews.com/author/mason-c-kupiainen/
Cailen Fienemann is a current student at Le Moyne College pursuing her BA in English and Communications with a film studies minor and a creative writing concentration. Though uncertain about her career end-goals, any job that allows her to write is a cherished one indeed.
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Cailen E Fienemannhttps://deadtalknews.com/author/cailen-e-fienemann/
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Cailen E Fienemannhttps://deadtalknews.com/author/cailen-e-fienemann/
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Cailen E Fienemannhttps://deadtalknews.com/author/cailen-e-fienemann/
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Cailen E Fienemannhttps://deadtalknews.com/author/cailen-e-fienemann/