A Parody Turned Legacy
Just after the success of Blazing Saddles, director Mel Brooks premiered another great classic. Fifty years ago, the world witnessed the funniest horror since the dawn of cinema. Brooks, along with Gene Wilder as his co-writer, released Young Frankenstein, a comedic parody of the Universal Studios horror films of the 1930s. This masterclass of a parody has since left a legacy in Hollywood and has returned periodically to new generations ever since. With Halloween around the corner and the 50th anniversary just a few months away, it is time to experience the journey this story has taken to reach its star status.
It’s Alive!
On January 1, 1818, Mary Shelley published one of the most essential sci-fi/horror literature pieces. Frankenstein (also known as The Modern Prometheus) follows the story of a young scientist named Victor Frankenstein who, in his grief and arrogance, creates a person out of remnants of the deceased and lives with the curse of knowing that he made a monster. This novel would lead to numerous plays, films, ballets, and the like for centuries. Beginning in 1933, Universal Studios was still beginning their series of what would become horror classics.
To some, this story would quickly become overdone and drawn out. However, Hollywood actor, writer, and filmmaker Gene Wilder had an idea for a comedic retelling of the gothic tale. Young Frankenstein director Mel Brooks would explain the origin of his film in a 2010 interview with the Los Angeles Times, “I was in the middle of shooting the last few weeks of Blazing Saddles somewhere in the Antelope Valley, and Gene Wilder and I were having a cup of coffee, and he said, I have this idea that there could be another Frankenstein.” I said, “Not another! We’ve had the son of, the cousin of, the brother-in-law. We don’t need another Frankenstein.” His idea was straightforward: What if the grandson of Dr. Frankenstein wanted nothing to do with the family whatsoever? He was ashamed of those wackos. I said, “That’s funny.” Thus started the production of what would become an Academy Award-nominated film that would be regarded as “culturally, historically or aesthetically significant” by the United States National Preservation Board and selected to be added to the Library of Congress National Film Registry.
A Horror Success
Brooks’ more boisterous comedy combined with Wilder’s strategic humor would result in historical pieces of film media, but they could not craft the movie on their own. With Wilder in the starring role as Dr. Frederick Frankenstein, the film also featured the incredible talents of Marty Feldman as the henchman Igor, Peter Boyle as the monster, Teri Garr as the assistant Inga, Madeline Kahn as Frederick’s lover Elizabeth, and Cloris Leachman as the housekeeper Frau Blücher. Despite Columbia Pictures’ lack of interest in producing the film, 20th Century Fox agreed to distribute the movie, and the production wrapped quickly between February and May of 1974 and would be ready for release later that year.
However, due to the scarcity of comedy films released that year, the genre alone would not have been enough to propel this parody film to such critical success. Brooks shot the entire movie in black and white, incorporating cue cards, pacing, and shaky camera panning reminiscent of the old Universal horror classics. With the help of composer John Morris (also known for Clue) and the use of some of the original set pieces from the 1933 Frankenstein, the film perfectly encapsulated the essence of old Hollywood horror drama while maintaining a modern comedic tone. Brooks elaborated on the writing process in a 2016 interview with Creative Screenwriting, “Little by little, every night, Gene and I met at his bungalow at the Bel Air Hotel. We ordered a pot of Earl Grey tea, a container of cream, and a small kettle of brown sugar cubes. To go with it, we had a pack of British digestive biscuits. And step-by-step, ever so cautiously, we proceeded on a dark, narrow, twisting path to the eventual screenplay in which good sense and caution are thrown out the window, and madness ensues.”
The Future of Frankenstein
On December 15, 1974, Young Frankenstein was released to the world. The film was nominated for the Academy Awards for Best Sound and Adapted Screenplay in 1975 and continues to be recognized on the top 100 movie lists. Despite the film, produced by Michael Gruskoff (also known for Nosferatu the Vampyre), having a budget of only $2.78 million, it would see a total of $86.2 million at the box office. The film even inspired the Aerosmith song” Walk This Way” based on one of the bits performed by the character Igor in the movie. More recently, the film was adapted as a stage musical with the same name and premiered on Broadway in 2007, introducing the story to a new audience. Unsurprisingly, the iconic scene of Frederick and his creation performing a rendition of “Puttin’ On The Ritz” made it to the New York City stage.
Following the success of such a silly film, Brooks directed another horror parody, Dracula: Dead And Loving It, but it would find a different cultural significance than his earlier work. Famed film critic Robert Eggers wrote the year the film was released that “…Young Frankenstein is not only a Mel Brooks movie but also a loving commentary on our love-hate affairs with monsters. This time, the monster even gets to have a little love-hate affair.” Since then, other horror parodies have emerged from Hollywood, such as Scary Movie, The Cabin In The Woods, Piranha, What We Do In The Shadows, and more. Yet it can be argued that none of these more modern features match Brooks and Wilder’s expertise in Young Frankenstein.
An Anniversary Worth Recognizing
Fifty years later, fans are still celebrating this wonderfully crafted film. From the old filmmaking methods to the classically sounding score to the obscene snipes and slapstick comedy, Young Frankenstein has become a cult classic beloved by horror fans everywhere. Just in time for Halloween, those who have not experienced this fever dream of a classic German Expressionist comedy film are urged to see it. Despite the occasional raunchiness and stupidity of the characters, there is something for everyone with this picture. Young Frankenstein is available to stream on Amazon Prime Video.
Young Frankenstein (1974) Official 20th Century Fox Studios Trailer
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Author
With a bachelor's degree in Film and Media Studies from Arizona State University, Ashley has a passion for the history of filmmaking and how audiences share a relationship with publicized media. Her love for the horror genre as well as feminist themes runs deep.
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Ashley Crowtherhttps://deadtalknews.com/author/ashley-crowther/
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Ashley Crowtherhttps://deadtalknews.com/author/ashley-crowther/
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Ashley Crowtherhttps://deadtalknews.com/author/ashley-crowther/
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Ashley Crowtherhttps://deadtalknews.com/author/ashley-crowther/
I am an aspiring author living and working out of Honolulu, Hawaii. I received my bachelor's degree in Art History at Westmont College and then pursued a master's in Museum Studies at the University of Hawaii. I am currently working on a few novels, and am thankful for the opportunity to expand my creative writing voice at Dead Talk Live.
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Hali M. Gallowayhttps://deadtalknews.com/author/hali-m-galloway/
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Hali M. Gallowayhttps://deadtalknews.com/author/hali-m-galloway/
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Hali M. Gallowayhttps://deadtalknews.com/author/hali-m-galloway/
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Hali M. Gallowayhttps://deadtalknews.com/author/hali-m-galloway/