Directed by Edward Berger, the Conclave is a drama immersed in the universe of politics within the Vatican. The film details the harrowing events after the pope’s unexpected death. This occasion caused a sequestered electoral objective to take place to find out who his successor would be. As this ensues, Cardinals from all over the world gather within the Vatican as relationships are tested, secrets are brought to the light, and everyone’s faith is assessed. Having Tour de Force performances and a murkier yet tonal atmosphere, Conclave showcases a well-distinguished glimpse into the power and political struggles that come along within one of the world’s most sacred institutions.

Vatican Lore 

The film follows Cardinal Thomas Lawrence, played by Ralph Fiennes, who is pushed into the middle of the chaos within the Vatican following the unexpected death of the Pope. An occasion that initiates a tedious, politically fueled conclave to pursue the next church leader. Taking place within the concealed corridors of the Vatican, the film blends tension with a haunting atmosphere that mirrors Lawrence’s intellectual struggle as he takes on the weight of his responsibility. The plot hones in on suspense with intrigue as Lauren stumbles upon a slew of dark secrets that make him question the ideologies of which his faith is established and his place in the church. The film’s pacing is on point as it captures the excruciating anticipation of each Cardinals endorsement, each intense conversation in chambers with little to no light, and hints that unveil layers of betrayal. Though thematically dense, the story remains steady; its complexities are gradually revealed through Lawrence’s cynical, introspective journey. The tone is silent at times and reflective, never feeling overly derivative but instead taking note of elements of political thrillers to enrich its unique narrative. This aesthetic extends through muted, diminished lighting, crediting the Vatican’s air of secrecy and limitless power. While there are moments when the suspense may feel stretched, these pauses only drive the film’s heavy atmosphere, lending Conclave a deciphering rhythm that makes each realization feel as pertinent as the one prior. The film’s structure upholds a sense of inevitability. While it may sometimes feel theatrical in its dignity, Conclave is a compelling case of faith, power, and the hidden schemes within one of the world’s oldest institutions.

The Cardinals

The acting in Conclave is the film’s heart, elevating the explorations of faith and political Currency. Ralph Fiennes delivers a catching performance as Cardinal Lawrence is the glue to the story with a sheer tone that brings depth to his character’s moral and internal struggles. Fiennes’s portrayal is both immaculate and intense as he quietly unveils the internal struggles of a man wrestling with the influence of his faith and his role in the church. The standout in the cast remains Stanley Tucci, who offers an objective yet obscure dynamic to his role. His character is a very vocal and intentional intellectual force that deepens this film; He is Never scared to question the ideologies of the church while going against the grain. Tucci’s performance encompasses the character with convolution, making him both a firecracker to the established order and a sympathetic-minded figure to audiences.

 In a more minor but integral role, Isabella Rossellini is showcased as a mysterious figure with little dialogue but tremendous presence. Her moments vibrate powerfully as her character’s words cut back the layers of deception within the Vatican, unleashing the dark and unspoken truths. Rossellini’s subtle approach is as practical as riveting, leaving a memorable impression. Together, the cast cements Conclave in a sense of realism and urgency, with each performance making waves to the story’s tension and cinematic weight. The characters feel realistic and complicated, making the film’s inspection of faith, corruption, and loyalty even more profound.