It’s Freaking Gnarly
Katseye is a group that is unique not only in practice, but also in the way they were formed. The group was created through The Debut: Dream Academy, a reality show created in collaboration with Hybe Corporation and Geffen Records. Hybe Corporation is a South Korean multinational entertainment company, and the K-pop inspiration is evident within Katseye.
A Global Girl Group
Outside of their Korean influences within their formation and marketing, Katseye is a “global girl group.” This is where they separate themselves from many other traditional K-pop groups with members of different nationalities, including members Manon (Swiss, Italian, and Ghanaian), Sophia (Filipina), Daniela (Venezuelan, Cuban), Lara (Indian), Megan (Chinese, Singaporean), and Yoonchae (Korean). The K-pop industry is notorious for using other cultures as trendy aesthetics, but Katseye does the opposite. The group celebrates each member’s diverse background and pays homage to their culture in various ways. Katseye doesn’t corner themselves into one specific sound and actively celebrates their diversity in an industry that is culturally toxic. They are a global group, and even though they debuted within the K-pop industry under Hybe, they create something that isn’t boxed into typical K-pop molds. Combining their global influences with traditional K-pop style, they are creating something entirely new. Whether it be their marketing, videos, sound, or just the members’ personalities, Katseye is carving their own unique identity within a space that is uncharacteristically homogenous.
Within their first EP, Soft is Strong, the group embraced a more K-pop adjacent sound with hits like “Touch” or “Debut.” Their second EP, Beautiful Chaos, however, shines a light on their star power on a global scale. Each song is wildly different, with their biggest single, “Gnarly,” moving away from the soft-pop sound into something more experimental. With writer and composer Alice Longyu Gau, an artist who pioneered the hyperpop genre, leading the single, it shows that the group isn’t afraid to change. This isn’t only evident in their music, but also in their performances, personalities, and style. The members don’t put on the typical corporate front when connecting with their audience; this allows them to have fun and just be weird. It’s refreshing to see a group like Katseye, especially in such a competitive industry, not be afraid to be different and true to themselves. Even without a distinct sound or voice, Katseye has the incredible ability to connect with audiences no matter the genre. Moving from soft upbeat pop to hyperpop or Latin-inspired R&B is something that shouldn’t be possible, but Katseye makes it look effortless. Only a year after their original debut, Katseye continues to grow and shows their ability to adapt to any sound or style.
5 Songs, 6 Voices
There are five songs on their EP Beautiful Chao, with their lead single and standout track being “Gnarly.” It is an eclectic mix of references, hard-hitting 808s, synths, and an undeniably gnarly attitude. The song is experimental and definitely shows it in the reception it received, with it being a track that the listener either loves or despises. One thing that is undeniable is that “Gnarly” will be stuck in the listener’s head, especially after viewing their hypnotizing live performances.
Their second single of this era was “Gabriela,” an almost complete 180 from their gnarly lead single. Especially with their roots in the K-pop industry, this sound was surprising, but entirely welcome. With a verse in Spanish by member Daniella, a catchy chorus, and signature guitar riffs, the song grabs the global moniker of their group by the throat. Continuing their trend of captivating and chaotic music videos, “Gabriela” is no exception. The video is an homage to classic telenovelas, playing off the songs’ Latin inspiration with Katseye’s quirky flair. The video even includes a cameo by Jessica Alba; Katseye swings big and has yet to miss with their visuals. “Gameboy” is the third song on the EP and marks a return to a more pop sound from their first EP. With a catchy chorus and beautiful vocals from the members, the song is a nice reprieve from the controlled chaos of the rest. The song combines gaming sounds and references with a message on self-love that is both cute and captivating.
“Mean Girls” continues the pop sound with a chill and soft song on inclusivity and empathy. The song sonically doesn’t hit as hard as the rest of the EP, but the lyrics are endearing and relatable. The songwriter, Justin Tranter, on TikTok, talked about the lyrics “God bless the T girls and all the in-between girls.” These lyrics are referencing transgender and gender non-conforming individuals, showing Katseye’s celebration of diverse identities. The lyrics can be seen as controversial, especially within the K-pop industry, which is largely conservative on these topics. Katseye, however, continues to be unabashedly themselves and not afraid to break the mold, and this one line encapsulates this spirit. Even if “Mean Girls” doesn’t reach as high as the rest of the EP, it has a compelling message that is hard not to appreciate.
Lastly, “M.I.A” wraps up the EP, instantly reeling the listener back in with chanting and heavy bass. Sadly, once again, the song doesn’t live up to the EP’s singles. Not to say it isn’t an enjoyable listening experience, but it just doesn’t have the same charming qualities as some of the other songs released. It isn’t a bad song, but it feels out of place when placed next to the rest of the EP. It is definitely easy to catch the listener singing along, but it isn’t the song that will bring them back to listen over and over again.
Eyekon Era
Overall, the EP is catchy and undeniably special in a way that only Katseye’s unique flair can create. It shows that as a newer girl group, they aren’t afraid to take risks even if they don’t all come out perfectly. However, they don’t need to be perfect, and the chaotic vision that they have put together is enthralling and almost impossible not to be stuck in the listener’s head. It’s easy to become a fan, or “Eyekon” as Katseye has coined, but based on their first few offerings, the number of Eyekons around the world is only going to grow.
Beautiful Chaos (2025) Official Katseye Video
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Author
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Trevor Siciliahttps://deadtalknews.com/author/trevor/
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Trevor Siciliahttps://deadtalknews.com/author/trevor/
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Trevor Siciliahttps://deadtalknews.com/author/trevor/
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Trevor Siciliahttps://deadtalknews.com/author/trevor/
Elke Simmons' writing portfolio includes contributions to The Laredo Morning Times, Walt Disney World Eyes and Ears, Extinction Rebellion (XR) News/Blog, and Dead Talk News.
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Elke D. Simmonshttps://deadtalknews.com/author/elke-d-simmons/
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Elke D. Simmonshttps://deadtalknews.com/author/elke-d-simmons/
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Elke D. Simmonshttps://deadtalknews.com/author/elke-d-simmons/
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Elke D. Simmonshttps://deadtalknews.com/author/elke-d-simmons/