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Home > ‘Longlegs’ (2024): A Review

‘Longlegs’ (2024): A Review

Psychics and Serial Killers

Longlegs, written and directed by Osgood Perkins, is a cinematic marvel that is beautifully terrifying. With a masterful marketing campaign throughout its initial release, Longlegs was able to capture lightning in a bottle, creating mystery and intrigue that is captured in both the film and its narrative. It is a mystery thriller that combines elements of pure horror to create an atmosphere that induces anxiety but is impossible to look away from. 

Performances That Perfect the Strange 

The simple premise of Longlegs is that FBI agent Lee Harker (Maika Monroe) attempts to solve a serial killer case involving the titular killer, Longlegs (Nicolas Cage). Soon, however, she finds that there might be more to this case hiding deep beneath the surface. The film is best experienced completely blind, and although it seems to be a simple and classic plot, it is anything but expected. 

The mystery behind the film slowly unravels, creating more questions than answers as Harker and the viewer connect the dots. It is a slow and methodical process of deciphering clues and connections, and it never fails to be engaging without being over the top. The horror is subtle; it relies less on outward scares than it does on the feeling of looming dread. This dread is perfectly captured by stand-out performances by both Cage and Monroe. Monroe plays the main protagonist, but in a way that evokes the uncanny valley. She speaks in a strange cadence and is unassuming in a way that she never feels present in the scene. It is almost like she is in a similar boat to the audience, trying to piece everything together, but powerless to change the outcome. This strange quiet is broken by Nicolas Cage as Longlegs, the antithesis to Harker. Longlegs is loud, weird, and terrifying, and is a once-in-a-lifetime performance by Cage. It is impossible to know what he will do next. Will he break into song? Start screaming at the top of his lungs? More than likely both. Cage’s performance is uncomfortable and strange in a way that is almost comical. The horror and carnage are offset by how goofy the killer is, causing further unpredictability and uneasiness that is hard to replicate. 

Outside the two main stars, the minor performances are grounded and realistic, separating the bizarre leads even further. Specifically, Alicia Witt, who plays Ruth Harker, steals the show, switching between grounded and unhinged at the drop of a hat. The performances throughout Longlegs are eccentric but, at the same time, hypnotizing. 

Subliminal Scares 

The cinematography in Longlegs is where the movie shines brightest, even if the film is incredibly dark. Cinematographer Andres Arochi crafted a beautiful film with a vision that is evocative of classics in his own unique way.

The two time periods within the film are shot on different cameras. The 1970s era is shot on a 35 mm film camera in a 4:3 aspect ratio, and the 1990s era is shot on digital. This not only sets the time period of the film but also allows for some incredibly cool shots that mirror each time period. Specifically, in the opening scene where the audience is first introduced to Longlegs, the grainy film and smaller aspect ratio add an air of mystery and relatability. It is reminiscent of old home videos, ones that were never supposed to be seen. 

The lighting is very natural, allowing for shadows and negative space to play with the viewer’s mind. The lighting is also highlighted by Arochi’s use of slow wide shots, allowing the audience to analyze every dark little crevice on the screen. However, there actually might be something hiding in the dark. The director sprinkled Satan in the background of shots throughout the film for hawk-eyed viewers to spot. Some are obvious and the focus of the scene, while others are completely hidden and only appear for seconds. This happens throughout the movie from the beginning and adds a whole other element to analyze in each scene.

The music and score of the film also play a crucial role in the mystery and uncanniness of the narrative. Director Osgood Perkins, in an interview with Variety, claimed that the sound is its own character to help the audience feel like they were in Harker’s shoes. The movie is uncomfortably quiet; each breath or footstep booms in the silence until loud ambience shocks viewers to attention. The character of sound also plays into the shifting narrative, subliminally creating dread. Quiet whispers and ambience make the viewer question not only Harker’s mental state, but also their own. The score was also heavily inspired by 70s experimental rock, which lends itself well to the demonic twists and turns of the film. Even Longlegs’ iconic scream is interlaced with electric guitars to create something that sounds inhuman. 

Serial Killers or Satan? 

Longlegs is a horror movie that capitalizes on the fear of the unknown. Every shadow can be hiding a secret, every sound can just be imagined, or it can all just be nothing. That is the beauty of Longlegs: it plays into the feeling of uneasiness in a way that makes the viewer second-guess even themselves. It might not be the scariest movie ever made, but it is one that will be thought about long after it is seen. The most terrifying part of the movie, though? His legs weren’t even that long.

Stream Longlegs on Hulu today! 

Longlegs (2024) Official Neon Trailer

Source: Dead Talk Live

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Elke Simmons' writing portfolio includes contributions to The Laredo Morning Times, Walt Disney World Eyes and Ears, Extinction Rebellion (XR) News/Blog, and Dead Talk News.