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Home > ‘Willoughby Tucker, I’ll Always Love You’ (2025): An Album Review

‘Willoughby Tucker, I’ll Always Love You’ (2025): An Album Review

Music With A Sepia-Toned Ode to Loss

Hayden Anhedönia, better known by their stage name, Ethel Cain, has spun a ruthlessly captivating narrative on their third album, Willoughby Tucker, I’ll Always Love You. Cain wrote, produced, and composed every track with Mathew Tomasi, Angel Diaz, and Clay E. Parton assisting as composers throughout. The album was released under Cain’s own label, Daughters of Cain, and continues the tragic story behind the character of Ethel Cain. 

The End of Ethel

Willoughby Tucker, I’ll Always Love You is a prequel to Preacher’s Daughter, Cain’s first album. Both albums focus on the character of Ethel Cain, with Willoughby Tucker, I’ll Always Love You focusing on her first love, the titular Willoughby Tucker. Cain and Tucker’s story is dark, but beneath the darkness is a beauty that only Ethel Cain herself can bring to life. The prequel album is confirmed to be the last story focusing on Cain, and it is a hauntingly beautiful send-off to her character. 

The sound is an eclectic mix of ethereal pop, folk, alternative rock, and ambience that is instantly recognizable within Cain’s usual styling. However, she takes a more raw and cathartic approach to its composition that pulls the listener directly into the 1980s Midwest. It is a dark and personal look at how people humanize those they love, even if they know it is going to hurt in the end. The album combines these themes of love, loss, dreams, and desires to make a melting pot of heartwrenching and relatable tracks. Cain has the ability to paint a story so vivid through her music that it is almost like reading a book or watching a movie. The story somehow feels complete within these few vignettes of the characters’ lives; Cain’s beginning is also her end. The whole album feels cyclical, touching on the story and themes heard in Preacher’s Daughter, creating a kind of self-fulfilling prophecy that is impossible to break. This makes it so much more compelling for the listener to piece together the story and events that are interwoven throughout.

Americana in All Its Dark and Desolate Glory

Willoughby Tucker, I’ll Always Love You begins with “Janie,” a slow folk-laced ballad that sets the dusty atmosphere that follows throughout. The album is the love story between Cain and Tucker; however, “Janie” focuses on non-romantic love between friends. Heavenly guitar riffs and dreamy vocals punctuate the insecurities of selfish love, with Cain pleading, “she was my girl first.” The song is a heartwrenching precursor of toxic love, setting up the grand entrance of Willoughby Tucker through the instrumental “Willoughby’s Theme.” This first instrumental track is an overwhelming cacophony of heavy guitar and piano that overwhelms the listener, representative of Cain’s overwhelming love for Tucker. 

The single “F*** Me Eyes” follows with a shift to a more upbeat pop song.

Rife with ’80s synths and style reminiscent of the classic show Twin Peaks, this song combines the past and present to create something magical. This song continues the story of jealousy, detailing Cain’s envy of the popular girl at school, terrified that she wants to steal Tucker away. This fear is encapsulated in “Nettles,” which switches genres back to a romantic country/folk ballad. Cain, in a press release, said, “‘Nettles’ became a dream of losing the one you love, asking them to reassure you that it won’t come true and to dream, instead, of all the time you’ll have together as you grow old side by side.” The eight-minute song is a tearful combination of banjo, guitars, and piano that captures the feeling of missing something before it is even gone. 

“Willoughby’s Interlude” is the midpoint ambient instrumental that precedes the start of the descent into darkness on the album. “Dust Bowl” continues as an anxiety-inducing track about fleeting love. Lyrics repeat with a slow guitar backtrack as Cain’s gorgeous vocals reminisce on the relationship. She knows it’s over, but is too scared to let go, which is shown on the otherworldly track “A Knock At The Door.” It is like listening to a ghost; the heavy reverb of the instrumental is haunted by Cain’s high-pitched, dreamlike vocals. “Radio Towers” is the final instrumental track of the album, one that is punctuated with a constant beeping similar to that of a heart monitor. This beeping continues into Cain’s final goodbye in “Tempest,” in which she comes to terms with the end of the relationship, realizing that she will always be alone. The end of the heavy, slow, and drum-filled track comes abruptly in the middle of Cain repeating “forever.” This leaves the listener to sit in silence, along with Cain, to accept that Tucker is truly gone. Closing the album is the fifteen-minute masterpiece of “Waco, Texas.” It’s a slow and quiet dream in which Tucker never left. Sonically, it is more upbeat compared to the rest of the tracks; however, the pain within Cain’s vocals is striking. She is stuck in this frozen moment of time where her first love is still there; symbolically, she died when he left, but lives on as a ghost, unable to change. 

A Race to Grow Up

Through Willoughby Tucker, I’ll Always Love You, Ethel Cain has the ability to weave a masterful web of interconnected stories that bring to life her dark and twisted fairytale. The songs themselves are bewitching in their production and enchanting in their visceral storytelling. Cain is casting a spell on her listeners through wistful vocals that evoke nostalgia and tragic understanding in equal measure. Cain is doomed to eternally love Willoughby Tucker, but listeners are blessed to have the opportunity to love this album eternally. 

Listen to Willoughby Tucker, I’ll Always Love You on Spotify, Apple Music, or YouTube today. 

Ethel Cain – ‘Nettles’ (2025) Official Ethel Cain Visualizer

Source: Dead Talk Live

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Elke Simmons' writing portfolio includes contributions to The Laredo Morning Times, Walt Disney World Eyes and Ears, Extinction Rebellion (XR) News/Blog, and Dead Talk News.