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Home > ‘Alien: Earth’ (2025) Episodes 4-6: A Review

‘Alien: Earth’ (2025) Episodes 4-6: A Review

The Horror of Meeting Expectations

Like a runner in a marathon finding their stride after going all out in the first mile, Alien: Earth is finally starting to set a good pace. Being smack dab in the middle of the season now, viewers have a slightly better idea of what to expect at this point, so it’s anyone’s guess as to how the show will keep things fresh.

Episode 4: “Observation”

After three episodes, Hermit and Wendy are finally getting some quality bonding time as siblings. Having just spent the last couple of episodes trying not to get brutally dismembered by a xenomorph, there was not much time for the two to actually interact. At this point, the two are finally getting some time to bond, and their relationship starts to become more believable. It’s been clear from the start that their relationship would play a big part in the show, but this is a sort of “pay off” of their reunion. Speaking of reunions, Morrow gets more screen time and provides a master class in manipulation. At this point, it’s clear what direction the show is going in for its finale, and the buildup is anxiety-inducing. The only thing likely to cause more anxiety is a certain scene with a sheep involving the eyeball creature. A mix between an eyeball and an octopus, this thing looks like one of those divider necromorphs from Dead Space (2008).

Oddly enough, until now, none of the other hybrids outside of Wendy and perhaps Slightly (Adarsh Gourav) have seen much spotlight. While other episodes have seen them all interacting with one another, none of them have had too much time dedicated to them as individual characters. That finally starts to change with Nibs (Lily Newmark) giving people a reason to be scared of redheads. Even though there’s not too much in the way of “action” in this episode, the suspense and build-up established in this episode more than make up for it, and the pacing also feels even out. Looking back, the first two episodes and a half served as a sort of “prologue” introducing the central characters and main point of conflict. It is only now, by episode four, that it feels like Alien: Earth is actually “starting”.

Episode 5: “In Space, No One…”

Pulling an odd move, Alien: Earth dedicates a whole episode to being a flashback… to the crew of the first episode. A set of characters that were introduced in the first episode for a little over ten minutes four episodes ago make a reappearance. The overall issue with this episode is its placement. After spending 4 episodes with the same set of characters, they rip viewers away for an entire episode in order to focus on some forgotten characters. In fact, half of the episode feels like an exercise in memory, so there’s not enough time to get into these characters. This feels like an unnecessary issue, considering the episode itself feels solid. The episode essentially becomes a “whodunnit”, which works well considering what’s on the line.

 The amount of tension in this episode is on par with that of the second episode. A suffocating sense of paranoia lingers in every scene. Unfortunately, the “whodunnit” angle does not have a satisfying conclusion. The show chooses to cop out in the worst way possible by using the most cliche conclusion for any “whodunnit”. At best, this episode serves as a mildly unnecessary reveal of Morrow’s motivations. At worst, it feels like a bit of a filler.

Issues aside, this episode serves as a nice change of pace from the Island, where (most of) everything has been set. In contrast to the large and open setting of the island, the tight and claustrophobic ship feels addictingly cozy. There is an undeniable sense of security that the island represents that is completely absent here. 

Episode 6: “The Fly”

This episode deals with the most horrifying subject of all: corporate politics. That’s right, in spite of the previous episode being action-heavy, this episode avoids feeling like filler. In fact, there are plenty of big events that unfold within the span of this one episode. For instance, it expands upon the lore of the major megacorporations on Earth. For as long as the franchise has existed, megacorporations have existed (in particular, Weyland-Yutani) as secondary antagonists alongside the Xenomorph. In fact, Weyland-Yutani has always felt like the overarching villain for the franchise. This feels especially true for the series. Minor spoilers ahead: In one scene, peace talks are being held between two megacorporations. The entire scene feels oddly modern, like any of the recent peace talks constantly being held nowadays. Considering how each of these corporations has actual armies backing them up, the stakes feel believable. That’s just the tip of the iceberg for this episode.

Major character deaths are always a tricky plot device to pull off. While a great way of adding stakes and getting audience members invested, knowing their favorite character could die, it’s also easy for it to feel needless and added in just for shock value. With plenty of deaths early on, Alien: Earth has made it to six episodes without killing any “major” character. The writers must have also caught on and decided to overcompensate. That’s right, two major characters die in the same episode. Within the context of the episode itself, the deaths actually make sense and don’t entirely feel forced. Not to mention the fact that the show has been foreshadowing something like this for the last few episodes. The ending works great in setting up for the last two episodes, which are guaranteed to be chaotic. 

Conclusion

Compared to the first three episodes, the pacing feels better. There’s also a feeling of dread that the show has cultivated, which continues to grow with each episode. Despite episode five’s odd placement, Alien: Earth genuinely feels like it has found its stride and perfectly sets up the last two episodes. Now all the writers have to do is make sure the buildup was worth it.

Watch Alien: Earth on Hulu or Disney+.

Alien: Earth (2025) Official FX Networks Trailer

Source: Dead Talk Live

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A lover of gore and over the top violence, no movie can make my stomach squirm. The only thing better than a bloody death scene is a well choreographed stunt. Whether it be action or horror, if it has blood in it, then I've likely already seen it.

Kendra Dennis is a Pennsylvania-based creative and content writer. While her passion lies within the creative realm, Kendra enjoys any time she gets to write. Kendra graduated from American Public University System in June of 2025 with a BA in English. She enjoys writing stories that open up to a larger world where readers can get lost. You can find her daydreaming about her newest stories or reorganizing one of her many bookshelves.