“The Boss’s” Painful Delivery
Screened at the Virginia Film Festival on opening night, Springsteen: Deliver Me From Nowhere serves as a biopic about “The Boss” himself. Jeremy Allen White stars as Bruce Springsteen, chronicling the time before and leading up to his hit album Nebraska. During this time, Springsteen wrestles with demons from his past to rejuvenate his creative perspective as he continues to rise in stardom.
Facing the Music
Springsteen: Deliver Me from Nowhere is a biopic that, while seeming like other biopics, takes an even more personal turn. The personal account that the film takes is a lot more raw and psychological than one would expect. Springsteen’s music is about hope and inspiration, and there are many times when that is the main focus of the film. The film begins referencing Bruce Springsteen’s childhood, and in doing so, it adds a lot of given context to what haunts him in the 80s. Springsteen was a victim of abuse at the hands of his father, and that shows up throughout the film, especially when he’s performing, as that unchecked abuse is holding him back. It is in these moments that Springsteen begins to go on a journey of self-discovery, and this journey helps him to write his celebrated album Nebraska. The film takes us through many facets of creating the album, from different songs to different beats and title changes overall.
Jeremy Allen White gives an astonishing performance as Bruce Springsteen, and at the same time, it’s psychological. There are moments in the film where it plays out like a therapy session, and we get to see why he goes through the motions as he’s trying to come to terms with emotions, while also trying to find himself with his music. It is important to note that when it comes to the musical numbers and the film, Jeremy entrenches himself into Bruce Springsteen in a way that feels impossible (especially during Born to Run). Helping him out along the way is his manager, John Landau, played by Jeremy Strong. Strong’s performance as Landau is exceptionally strong when he’s championing Springsteen to look in the mirror and get to the root of his problems. There are also moments where he’s advising Springsteen, and his stoic demeanor brings a lot of spectacles to Springsteen’s motives. Stephen Graham as Bruce Springsteen’s abusive father was also a huge highlight of the film, adding so much dramatic pause as he is the catalyst for Springsteen’s emotional trauma.
Confronting Demons
Scott Cooper’s direction for Springsteen: Deliver Me from Nowhere is anything but conventional. He goes back to the beginning and then takes off from that moment to the present time in which the film is set. From that point on, while the audience thinks they are probably going to get a musical biopic with big numbers, it’s a lot more subdued. With the film not being utilized to the fullest potential and only shedding light on one specific part of Bruce Springsteen’s life, it gives credence to being independent in its storytelling from an aspect that skews monolithic.
The musical numbers are a lot more studio-heavy than anything, as the film is actually more about making an album than performing it. This is also what makes Cooper’s direction strong in the film because it ties into the emotional and psychological nerves that Springsteen is falling victim to at every turn.
The perspective that Cooper sets out to give this film is a crucial highlight as well. His perspective is well-intentioned, even though it’s a lot darker than one would expect the film to be. This all leads to a well-made narrative that does not fall into just being like any other musical biopic. One thing that is shown throughout the film as well is that Cooper is an actor’s director. The way that he pans in on Springsteen throughout his emotional journey, it often feels as though the audience is getting a front row seat to what may not have been known or shared throughout Springsteen’s musical history. While the seclusion that the film succeeds at showcasing does work, it does leave a lot to be desired as well. The risk that Cooper took still diminishes the story, as there is more that could have been exposed about Springsteen outside of his demons while creating Nebraska.
Colorful Flashbacks
The cinematography plays a huge part in the film, as the film remains minimalistic when it delves into Springsteen’s personal account. These are the same when the cinematography is most notable is when there are flashbacks. There are a lot of white and black flashbacks to his childhood that were the most interesting parts in the film, especially when it came to the cinematography. When Springsteen did have a few performances throughout the film, the cinematography and the lighting were top-tier, and it felt like being at a real-life concert. The music is the most pivotal part of the film, as this is a musical biography. The music felt wholesome and like there was a lot of emotional weight to it. The audience could hear the emotional weight that Springsteen was carrying at this time of his life through the music.
The Final Recording
In conclusion, Springsteen: Deliver Me from Nowhere is a biopic that is different from most, but it falls in line thematically due to its musicality and emotional storytelling. Where the film sets itself apart is in the psychological aspects, as it delves into unpopular moments and the life of a musician. Jeremy Allen White embodies Springsteen with precision and devotion. The film works well when you go into it with no expectations and just being open to learning more about “The Boss” outside of what you may already know, and if you don’t know of him at all, then this is the perfect segue into getting to know him on a more personal level.
Watch Springsteen: Deliver Me from Nowhere in theaters everywhere, now!.
Springsteen: Deliver Me From Nowhere (2025) Official 20th Century Studios Trailer
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Author
Elke Simmons' writing portfolio includes contributions to The Laredo Morning Times, Walt Disney World Eyes and Ears, Extinction Rebellion (XR) News/Blog, and Dead Talk News.
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