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Home > ‘Lonely Planet’ (2024): A Review

‘Lonely Planet’ (2024): A Review

Netflix Film Sputters

Writer/director Susannah Grant delivers Lonely Planet, a romantic drama starring Laura Dern and Liam Hemsworth. The story follows Katherine Loewe (Dern), a successful but struggling novelist who attends a writer’s retreat in Morocco to overcome writer’s block. While in Morocco, she meets Owen Brophy (Hemsworth), a younger man who has accompanied his girlfriend to the same writer’s retreat. Their initial casual friendship grows into a deep, life-changing love affair as they both navigate personal challenges affecting their romantic lives.   

Déjà Vu 

On paper, the combination of Grant, Dern, and Hemsworth would be a no-brainer success; however, the film falls short in several areas. Simply reading the movie’s synopsis, audiences likely brace for a re-hash and re-imagining of some of their favorite films, such as Lost in Translation, Under the Tuscan Sun, Leap Year, and Eat Pray Love. As Hollywood continues to enjoy success with remakes, reboots, and franchises, there certainly is an appetite for old stories being told in the modern era. Netflix especially has benefited from this with their popular 2024 release, Rebel Ridge. Audiences recognized immediately that the plot for Rebel Ridge bore a striking and acknowledged resemblance to the classic film First Blood. As evidenced by the success of Rebel Ridge, new movies can sometimes improve upon the movies they’re inspired by. Netflix has perhaps dipped into that well one too many times, as Lonely Planet was actually the second movie to release in 2024 with a similar plot. Find Me Falling centers around a former rockstar who retreats to a Mediterranean island and unexpectedly reconnects with an old flame. Exotic shooting locations for films have also been a hot ticket as of late.

It’s difficult for a 90-minute movie to have pacing issues, but Lonely Planet manages to overcome this. With audiences already expecting a run-of-the-mill premise with more to see than perhaps hear, the movie could’ve easily hit the ground running, but instead, it prides itself on being a “slow-burn” romance. Slow-burns are best when there’s plenty to digest on the way to the payoff. The issue is that the buildup to the heightened moments gets lost in too much setup, and the outcome isn’t as satisfying as warranted. Some fans have taken issue with the age disparity between the two characters, but when it’s all said and done, it’s the least of the story’s problems.       

Ordinary People 

As alluded to previously, Laura Dern and Liam Hemsworth bring loyal fanbases with them to any production they join. The talent and on-screen presence they’re known for, however, only comes in flashes in Lonely Planet. Dern made her mark in Hollywood, turning in an amazing performance in the original Jurassic Park. She’s been very busy since, including her memorable roles in Marriage Story and Wild. Hemsworth, talented in his own right, isn’t just Chris’ little brother.

Liam was tremendous in The Hunger Games saga, and now he’s poised to become Netflix’s new darling as he assumes the lead role in the streaming giant’s original series, The Witcher. Despite the pedigree of both actors, Dern and Hemsworth aren’t given many opportunities to bring their respective characters to life. Although they’re well suited to be on-screen eye candy, both characters lack depth and don’t provide much beyond their good looks. Audiences are asked to suspend disbelief as two gorgeous adults fall for one another in the absence of much-needed chemistry.

It’s difficult to pin the film’s issues on the screenplay, considering it was concocted by Susannah Grant herself. Since penning the script for the original animated Pocahontas, Grant has also delivered on 28 Days, Erin Brockovich, Charlotte’s Web, and the hit series Unbelievable. Even Hollywood greats can have tough outings, and Lonely Planet is that for Grant. The script for the movie feels rushed, and the bursts of brilliance Grant is known for are overshadowed by dull scenes and dry dialogue.

Sunny Scenes  

Grant’s directorial debut came in 2006 in the film Catch and Release. Like Lonely Planet,  Catch and Release saw Grant as the writer and director, giving her nearly complete control of the production. Although it was a charming story, fans weren’t thrilled with the movie overall. This latest release is only Grant’s second offering in feature films, which could play a part in how average the cinematography is in Lonely Planet. Destination stories only play well when the audience yearns to be there with the characters and have a good time. Morocco is indeed beautiful, but very few of the shots exploit this fact. Instead, most scenes take place at a resort or in a Moroccan market. This wouldn’t be as noticeable if the on-screen happenings gave audiences enough to occupy themselves, but instead, the production leaves a lot to be desired on nearly all fronts.

It could be that Grant is looking to acquire more directorial experience as she just concluded filming on a TV movie set to release within the year. Fans of hers would like to see her continue to work at her craft as she is such a skillful storyteller who likely has much more to offer screens, both big and small. Some have criticized the story’s feasibility, but the problem with the film’s execution perhaps lies in how ordinary the characters and circumstances are. The dialogue comes across as everyday exchanges rather than drawn up by a world-class writer who has classics to their name.   

Final Rating 

Lonely Planet has appeared in Netflix’s top 10 movies since its debut on the platform. Unfortunately, the movie will likely disappear as quickly as it becomes available, with few viewers being able to recall its details. Studios and streaming platforms can attach all the big names they can to projects, but it’s still important to execute well. 

If you want to judge for yourself, stream Lonely Planet on Netflix today!

Lonely Planet (2024) Official Netflix Trailer

Source: Dead Talk Live

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Elke Simmons' writing portfolio includes contributions to The Laredo Morning Times, Walt Disney World Eyes and Ears, Extinction Rebellion (XR) News/Blog, and Dead Talk News.