A surrealist journey into the world of the upper class, Saltburn is magically compelling. Directed by Emerald Fennell, the psychological thriller/drama hybrid captures a daunting vision of dark academia that is equal parts provocative and perverse. It is endlessly complex in theming, narrative, and visuals, forcing the viewer to be glued to the edge of their seat.

A Mythological Retelling

Saltburn follows the awkward Oliver Quick (Barry Keoghan) as he develops an unusual bond with classmate Felix Catton (Jacob Elordi). The friendship develops quickly and leads to a summer at Felix’s luxurious family estate that will change the duo’s lives forever. Saltburn is remarkable in the way the narrative unravels to constantly make the audience second-guess themselves. So much of the story is hidden beneath the surface, and peeling back each layer reveals a dark mystery that leaves more questions unanswered than before. The film touches on themes of class disparity and obsession in a way that is refreshingly poignant. It is a period piece that is undeniably modern. The film takes a snapshot of the early 2000s but patchworks it together with a modern timeless flair. It is almost otherworldly in nature and feeling, contributing to a magnetic surrealist atmospheric vision. 

Stars Barry Keoghan and Jacob Elordi are electrifying not only with on-screen chemistry and dynamics, but also in personal performances. Keoghan is perfect as Ollie, ramping the vulnerable shyness and maniacal obsession to eleven. In contrast, Elordi is endearingly charming while maintaining a sinister aura that seeps into every scene. Outside of the leads, Rosamund Pike as Elspeth Catton puts on a dominating performance, effortlessly stealing every scene with her dry humor and quotable one-liners. The dichotomy of these different but captivating showings adds humor that blends seamlessly into the film’s uneasiness. The deep connections that are embedded in each character are also impossible to miss. From retelling ancient Greek myths, such as Theseus and the Minotaur or even classic Shakespearean theatre like A Midsummer Night’s Dream, there is an endless amount of symbolism to unpack in each performance. 

A Modern Renaissance Portrait

Saltburn’s flames burn brightest in the film’s production. Director Fennell, executive producer Tom Ackerley, and cinematographer Linus Sandgren create a visually stunning film where each frame can leave viewers awestruck. The film is shot in a 4:3 aspect ratio,  resembling a canvas, breaking away from typical cinematographic stylings often seen in other modern films. This turns each frame into its own work of art that further cements its gothic and Renaissance-era inspiration.