The Manhunt for Yahya Ayyash
The Engineer tells the story of the historical figure Yahya Ayyash and the manhunt that took place in the early 90s to bring him to justice. Ayyash, a Palestinian bombmaker and senior member of Hamas, was known by his enemies and allies as “The Engineer.” From 2021 – 2023, Director Danny Abeckaser and writer Kosta Kondilopolulos collaborated on three feature films – I Love Us, Inside Man, and The Engineer. Emile Hirsch also joined the crew and starred in the latter two films.
Pacing
The film shines with its appropriate pacing. Likely bearing in mind that most audiences are familiar with the story, the movie dives into the events immediately – depicting a chilling suicide bombing. The opening scene does well to not only capture the gruesome nature of such attacks but also shows those who are deeply affected by the violence. As Hollywood productions are known to do, the film goes on to take several creative liberties when telling the story about these historical events. One such layer added is U.S. Senator David Adler (Played by Robert Davi), who lost a daughter in the attack and vows vengeance.
The movie is efficient with the 92-minute runtime but doesn’t do much to keep viewers engaged – especially those already familiar with the actual events that took place three decades ago. The audience is introduced to the characters in the play, their motivations, what’s at stake, and why everything has been put into motion. Despite the film’s proper setup and logical order of events, very few scenes stand out and distinguish themselves from the rest of the movie, particularly after the strong opening. Throughout the film, the dialogue attempts to heighten the mood and inspire intrigue, but most of the lines fall flat and even appear to be redundant and repetitive. The story’s organization helps audiences stay tuned in, but not much is done to make the watch more engaging, especially considering the provocative source material that can be played off.
Forgettable Characters
Casting for The Engineer was given an authentic feel as several Israeli actors took on featured roles in the production. Although technically born in Uruguay, Angel Bonnani (Avi in the film) moved to Israel as a child and was raised in the country. He continues his acting career as a prominent figure in the Israeli entertainment industry. Tzachi Halevy, another Israeli actor, plays the operative Gili. Halevy was also featured in the critically acclaimed Netflix show Fauda, which centered around the Israel-Palestine conflict and ran for five seasons. Abeckaser was cast in the movie and doesn’t often shy away from appearing in his own directorial efforts. The entire cast submitted a solid performance, but neither of them commanded the screen and gave a compelling presence. With the average dialogue and underdeveloped characters, the cast members were given the tough task of standing out.
Hirsch fans will be pleased with his performance in the film but perhaps not with the overall production itself. Hirsch’s character, Etan, is given a loving family, a complex moral compass, and hints of a redemption arc. Although the character has outlets that allow for exploration of his being, Etan is reduced to intense glares, stilted lines, and underwhelming action shots. Avi parallels Etan’s background but is instead estranged from his ex-wife and daughter. Viewers are treated to a few scenes that show him attempting to win back their favor as he hunts down one of the most dangerous men on the planet. Bonnani also does well in his portrayal, but his character suffers from a more story-driven plot.
Action Miscues
One of the creative liberties Abeckaser and Kondilopoulos didn’t take was gratuitous action. Perhaps in an attempt to stick to historical events, audiences are only shown several explosions, a few interrogation scenes, and a shootout meant to serve as the climactic finale. This wouldn’t be as much of an issue if all other aspects of the film were able to deliver at a high level, but instead, the movie seems to be at odds with itself throughout. The third act doesn’t give as much payoff as fans would hope for, even considering the relatively small time investment. The Engineer could’ve been somewhat salvaged with a thrilling conclusion, but each moment in the final act unfolds with little to no twists or turns for the viewers to enjoy. Any time the protagonists reach a roadblock, they’re presented with a rectifying opportunity almost immediately. Audience members are perhaps given the impression the mission was easy, which, of course, is far from the truth.
Although not an issue leading up to the film’s climax, the final sequence and what could’ve been is undermined by awkward angles and shaky camera work. Camera shake can indeed add an element of thrill to an action scene when done correctly, but the effort falls short here. During the shootout, the camera also appears to be too far away from the actors and gives an appearance that can take viewers out of the excitement that’s happening right before them. Between the cinematography and the protagonists emptying their clips with little effect, the task of suspending disbelief is likely too tall for the average movie-goer.
Final Thoughts
The Engineer is far from the worst movie released in the past ten years, but it’s also short of anything remarkable. The movie holds value as a vaguely accurate retelling of the Ayyash manhunt, but it doesn’t go beyond that. The lack of character development causes the film to fall well short of other productions meant to depict historical events. Zero Dark Thirty and Argo stand as fairly recent triumphs within this realm.
Watch The Engineer, available for rent and purchase on Amazon Prime, Fandango at Home, and Apple TV. MovieSphere subscribers are also currently given access to their membership.
The Engineer (2023) Official Lionsgate Movies Trailer
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Author
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Matthew Thomashttps://deadtalknews.com/author/matthew-padilla/
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Matthew Thomashttps://deadtalknews.com/author/matthew-padilla/
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Matthew Thomashttps://deadtalknews.com/author/matthew-padilla/
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Matthew Thomashttps://deadtalknews.com/author/matthew-padilla/
Elke Simmons' writing portfolio includes contributions to The Laredo Morning Times, Walt Disney World Eyes and Ears, Extinction Rebellion (XR) News/Blog, and Dead Talk News.
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Elke D. Simmonshttps://deadtalknews.com/author/elke-d-simmons/
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Elke D. Simmonshttps://deadtalknews.com/author/elke-d-simmons/
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Elke D. Simmonshttps://deadtalknews.com/author/elke-d-simmons/
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Elke D. Simmonshttps://deadtalknews.com/author/elke-d-simmons/