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The Importance of Color in Film

Color Theory Provides Some of the Best Symbolism in Films

Color theory isn’t just important in artworks. Filmmakers must be aware of the colors they choose when creating a film since color is one of the most used storytelling devices. Whether essential to the narrative or acting more symbolically, the tone and mood in films are dependent on the colors chosen for the scene.

The Basics of Color Theory 

How would one describe color? It’s a difficult question, even without knowing the many meanings of each color. Colors are commonly associated with a feeling or symbol, though they can sometimes be contradictory such as red being a representation of love and anger. Known as the study of how colors work together and affect viewers’ emotions and perceptions, color theory is the science and art of using color. Color is made up of its hue (the color), saturation (the intensity), and value (the brightness). Any slight change to any of these can change the emotion being expressed in a film.

But why might a scene bathed in muted blues make the viewer feel hopeless? That comes down to color psychology, which is the study of how colors can affect human mood and behavior. Filmmakers are purposeful with what colors they choose to influence the audience’s emotions and perceptions. Usually, this is done without the audience even realizing it, making it an intriguing topic to study. Specific colors are commonly associated with some sort of feeling, though one color can usually be related to more than one emotion. Subdued colors are calming or evoke a sense of dread or emptiness, while bright colors are much more energizing and hopeful.

Storytelling and Color

Colors are far from just visual details. They’re the best way to convey emotion and meaning in media. Audiences will notice that certain movies will have a set color palette that helps to set the emotion of the scene. A director’s choice of color enhances the storytelling. Without color, a film would have to double up on other features like expressions to get emotions across. It would be like telling not showing in a novel. The audience will enjoy themselves so much more by being able to experience the story colorfully. Successfully creating the mood and tone is an essential aspect of any film, and color helps accomplish this.

Here are only a few emotions each color can evoke. Keep in mind there are many more possibilities, mainly depending on the saturation and value of the color. Red represents love, danger, hope, and anger. Yellow represents joy, naivete, illness, madness, or insecurity. Orange can convey warmth, youth, and happiness. Green is highly suggestive of nature, while also representing disgust or corruption. Purple is ominous while pink expresses femininity and empathy. Meanwhile, blue can be anywhere from calming to cold to melancholic.

Color Helps Drive the Mood and Tone

Films are filled with symbolism. Just like how a caged bird can represent multiple things depending on other factors color can symbolize or suggest the tone/mood of various things. Here are just a few examples of how color stands as a symbol and affects the tone/mood of a film.

While not the first color movie, The Wizard of Oz was the first film to use Technicolor. Anyone who has seen the 1939 version of The Wizard of Oz remembers that when Dorothy wakes up in Oz, she is suddenly in a world filled with oversaturated colors as opposed to the sepia of Kansas. Each location in Oz is also represented by a different color. Notably, the Emerald City is filled with greens, representing the deceit of the Wizard before audiences even meet him while also representing wealth.

In The Hunger Games, Katniss becomes a symbol of defiance herself. One of the most notable and memorable moments that settled her as this symbol comes in the form of her tribute interview dress. A bright red that lights on fire, the color represents Katniss’s growing defiance and courage against the Capitol. The film also depicts the vast differences between the Districts and the Capitol with different colors. The Districts are filled with muted colors while the Capitol is boldly colored with the inhabitants matching the over-the-top style to show their excessiveness and superficiality.

The Mad Max films are known for their setting of a barren, post-apocalyptic world that resembles a desert. The screen is usually filled with oranges and yellows, especially during chase scenes. This helps evoke the sense of danger and heat the characters face in the desert to the audience. The shift to cool blues during night scenes marks a noticeable emotional change, giving characters and the audience a calm moment.

A Subtle, But Important, Influence

Decades ago, the world didn’t have color films. Nowadays, a black-and-white film would be the odd film out, but back in the late 1800s, that was the norm. Filmmakers began experimenting early with color film in the 1920s but wouldn’t see color cinematography take over until the 1950s. Color in the movie may be right in front of the viewer’s face, but there is a subtlety to it at times. Audiences don’t always recognize they’re feeling what they are because of the color.

Take some time to study the colors used while watching a film. Spotting subtle and not-so-subtle color choices is a fun little game to play while rewatching a film. It’s another excellent way to discuss the movie with friends and ask if they felt similar in certain scenes!

The Hunger Games (2012) Official Lionsgate Movie Clip 

Source: Dead Talk Live

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Kendra Dennis is a Pennsylvania-based creative and content writer. While her passion lies within the creative realm, Kendra enjoys any time she gets to write. Kendra graduated from American Public University System in June of 2025 with a BA in English. She enjoys writing stories that open up to a larger world where readers can get lost. You can find her daydreaming about her newest stories or reorganizing one of her many bookshelves.

I am an aspiring author living and working out of Honolulu, Hawaii. I received my bachelor's degree in Art History at Westmont College and then pursued a master's in Museum Studies at the University of Hawaii. I am currently working on a few novels, and am thankful for the opportunity to expand my creative writing voice at Dead Talk Live.